Review-Hedda Gabler-The Gate-Saturday Matinee 11th October

There’s quite a bit of attention to detail in the Brian Friel’s version of Hedda Gabler, directed by Anna Mackmin. Lez Brotherston’s beautiful grey drawing-room gives off an impression of grim decadence and the feeling is rather cinematic. Although from an utterly different era, the atmosphere is not unlike Elia Kazan’s film version of ‘A Streetcar named … Continue reading →